“BLACK MOVIES”: GENRE MEMORY OF THE NOIR FILM LANGUAGE IN THE SYSTEM OF AUDIOVISUAL TRANSFORMATIONS (1970s – 2010s)

The issue of “genre memory” in the noir film language is one most relevant problems modern study “black” cinema evolution. In spite fact that recent years, has significantly expanded its traditional artistic “cover”, features and ways transformation priority vectors research. context audiovisual transformations early 21st century, represented by at least two genre constructions (post-noir neo-noir), which also need to be studied areas related “diffuseness” genres “hybridization” language. main stages formation paradigm are considered authors. These defined analyzed tools language: compositional plastic techniques, stylistic solutions iconography”. Defining three periods development cinema, authors outline typical-specific roles, form various strategies forms existence classical different systems cinematic art thinking. Noir showed an extremely high potential for modification, led expressiveness subgenre convention. Example a number films shows how directors use or borrow aesthetics with help expressive means cinema. many cases, semiotics becomes object search new solutions, further confirms elasticity noir. All above allows us state kind “noir” ontology tools, first all appeals lacuna using particular range techniques.